YES LAWD!!!!<\/p>\n
Throughout the past few years, one name has been leaving a unique print in music, and that name is Brandon Paak Anderson aka Anderson .Paak. The rapper\/singer\/artist has been making waves for the past few years, from being part of the XXL 2016 Freshman List (and easily the best out of them…well, him and Denzel Curry, too.), having two critically acclaimed albums with\u00a0Malibu<\/em>\u00a0(earning him a Grammy nomination and a place on my best of list in 2016) and\u00a0Yes Lawd!<\/em> under NxWorries, the collaboration between him and producer Knxwledge (also on my best of list in 2016), and even appearing on numerous tracks on Dr. Dre’s 2015 album\u00a0Compton<\/i>. On top of all that, he signed him to Aftermath Entertainment following the release of\u00a0Malibu,<\/em> and since then he’s been doing some features on tracks with artists like ScHoolboy Q, Mac Miller, Domo Genesis, Rapsody and various others.<\/p>\n Now on his third studio album\u00a0Oxnard,<\/em> (well, 3rd on his Paak moniker and final “beach” theme album following Malibu <\/em>and\u00a0Venice<\/em>; 5th total counting the 2 he released as Breezy Lovejoy and the first one to be released on Aftermath Entertainment and 12 Tone Music, a record company under Warner Music Group), I was eager to see how this album turned out, and while I was bummed that “Bubblin'” didn’t make the final tracklist (and that’s the first complaint out of of the way), I was good with the singles “Tints” and “Who R U?”. So, how did the album turn out?<\/p>\n